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Search resuls for: "Film Historian"


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CNN —If you drink every time someone mentions “Barbie” at this Sunday’s Oscars, you probably won’t be awake to see the best picture category presented, even with the show’s earlier start time. Yet while the year’s biggest box-office winner will get plenty of attention – due in part to its much-debated “snubs” – the 96th Academy Awards looks destined to be “Oppenheimer’s” night. While few superhero or genre movies have managed to break through (“Black Panther” being an exception), “Barbie’s” mix of stars and social commentary nabbed eight nominations, including best picture. The award-industrial complex’s fondness for smaller films, further fueled by their availability via streaming services, is evident in the other best picture contenders. Cillian Murphy accepts the Screen Actors Guild award for his starring role in "Oppenheimer," the heavy favorite on Oscar night.
Persons: “ Barbie ”, Barbie, , Margot Robbie, Greta Gerwig, Martin Mull, ” didn’t, “ Oppenheimer, Oscar, Cillian Murphy, Oppenheimer, Matt Winkelmeyer, , ” “ Maestro, Barbie ”, “ Maestro, Christopher Nolan, Robert Downey Jr, Kane, Love, Ryan ” Organizations: CNN, Hollywood, The Academy, Motion Picture Arts, Sciences, , Netflix, South, Warner Bros, ABC Locations: France
Gene Seymour Jeremy Freeman/CNNBut history, as it often does, had other ideas for Belafonte, who died April 25 at 96, having lived a long, full life as both entertainer and activist. The times he lived in paved a smoother way for him than the one faced by his mentor and hero Paul Robeson. On the other hand, there was, relatively speaking, only so much Belafonte could do on the entertainment side. Here, as elsewhere in Belafonte’s life, the activism and the entertainment sides of his public life worked in tandem to buttress, offset and enhance the other. Join us on Twitter and FacebookAnd in a gratifying sense, the push-pull of history’s demands worked in Belafonte’s favor as a screen actor.
The most chilling moment in Gerard Johnstone’s new horror film, “M3GAN,” comes early. Its wildly popular — and immediately viral — trailer seems to give away the entire story, beat by beat, but what it can’t convey is the picture’s delightfully oddball tone, which is poised at a peculiar juncture of slasher horror and self-aware satire. Gemma, dressed in flannels, so you know she’s an antisocial nerd, has developed M3GAN, short for Model 3 Generative ANdroid. As a character, M3GAN is a marvel of design, combining body actor (Amie Donald), voice (Jenna Davis), animatronics, makeup and special effects. (“Humanity kills every day, just to make its existence more bearable,” M3GAN cackles, presumably after doing some online reading about Apple and Foxconn’s Longhua facility.)
It’s not that theatrical film exhibition was in a particularly good place before the pandemic. Yet the astounding box-office figures of 2022 tell a different story: Movie theaters didn’t become obsolete. It offered up the best of the moviegoing experience: spectacle, plus quality, plus rewatchability. But best of all, the hunger for the overly familiar was not the only story to be told this year. But if the pandemic-era absence of theatrical releases proved one thing, it’s that people love going to the movies, really love it, and not just to see Marvel movies.
Karolyn Grimes and James Stewart in "It's A Wonderful Life." Fathom has long wanted to revive showings of “It’s A Wonderful Life,” Carey said, noting that fans have been asking for it. No film is a failure if it has fansWhat’s long delighted film historians is the fact that when “It’s a Wonderful Life” debuted, it was largely deemed a wash. As film historian Jeanine Basinger writes in her compendium, “The It’s A Wonderful Life Book,” the original idea for the film languished for years before the studio RKO sold it to Capra in 1945 for a mere $10,000. William Edmunds and James Stewart in 1946's "It's A Wonderful Life."
With Europe seeing an explosion of visitors a year after Covid travel restrictions dropped, incidents of visitors behaving badly in Italy show no sign of abating. Think that’s bad? Meanwhile in Venice, tourists routinely swim in the UNESCO-protected canals, which double as the city’s sewer system. “Tourists don’t know how to relate to the artistic heritage because they have no relation with our history – so they refer to their cultural imagination, and therefore to our cinema. “So many tourists have said to me over the years, ‘In Italy there are no rules.’ But they are mistaken.
Persons: Gennaro Sangiuliano, , Ivan, Haley, destructively, , surfed, Augustus, ENIT, Eike Schmidt, Florence – Italy’s, we’ve, it’s, Schmidt, serena, panini, Luigi Brugnaro, Gianfranco Zarantonello, , Zarantonello, zipping, you’d, Tom Jenkins, “ It’s, Nicola Bassano, Dolce, Federico Fellini, Marcello Mastroianni, Anita Ekberg, Trevi, Vita ”, Vita, ” Maria Pasquale, ” Jenkins, Giorgia, Dr Audrey Tang, We’re, they’d, “ Jung, it's, ” Tang, “ That’s, Tang, ” Zarantonello, Lord Byron, Byron, “ Byron, Michelangelo’s Organizations: CNN, UNESCO, carabinieri, Maserati, Vatican Museum, Uffizi, Roma, Tourists, European Tourism Association, United, Vita, Twitter, Parco, British Psychological Society Locations: Italy, Rome, Saudi, Venice, Australian, American, ENIT, Florence, , Italian, Czech, Belgian, eFoils, Southeast Asia, France, Spain, , ” Venice, Europe, It’s, Grand, Vatican
Latinos are underrepresented in the media industry workforce across film, radio, television, newspapers and digital platforms, according to the report. Latinos are 19% of the nation's population, almost 1 in 5 Americans, and 18% of workers outside the media industry. The largest percentage of Hispanic media industry workers were employed in service worker positions (19%) — which include food, cleaning and personal and protective services, according to the latest available reports submitted by media companies to the U.S. In positions that can influence the content audiences consume, Latinos were far less represented: They made up only 7% of professional media industry positions such as actors, producers, directors, writers, reporters and editors. When Latinos did see themselves represented in content, they felt "it was inaccurate" in most cases, de Armas said.
TOMORROW: Join @LibnOfCongress Carla Hayden and film historian Jacqueline Stewart for a discussion on American cinema in between screenings of select motion pictures added to the #NatFilmRegistry this year. „Outrage”, regizat de Ida Lupino în 1950, şi „The Hurt Locker”, regizat de Kathryn Bigelow, se numără printre cele nouă pelicule regizate de femei care au selectate în acest an. În fiecare an, în luna decembrie, Library of Congress include în National Film Registry un număr de 25 de filme care au o înaltă semnificaţie culturală, socială şi estetică. Titlurile sunt alese dintre sugestiile formulate de publicul larg pe site-ul Bibliotecii Congresului american şi în consultare cu reprezentanţii National Film Preservation Board. În urma celor 25 de filme selectate în 2020, numărul de pelicule incluse în National Film Registry a ajuns la 800.
Persons: Stan şi, Charlie Chaplin, Carla Hayden, Jacqueline Stewart, Melvin Van Peeple, Julie Dash, Kathleen Collins, Ida Lupino, Kathryn Bigelow Organizations: National Film, Congresului american, Buena Vista Social, National Film Registry, National Film Preservation Locations: Stan şi Bran, Venice
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